Gli anni novanta iniziano con una selezione di generi musicali che interessa anche le discoteche. Ci sono discoteche che propongono esclusivamente musica techno mentre altre solo House. Nelle discoteche di larger, in separate rooms, both are played and other genera and therefore imposes the final model of the multi-disco (the private room, where frequently accessed by invitation only, will be present in almost all large structures). This is the time when in Europe will be inaugurated, the last big clubs were born anew; in Italy may be mentioned the Prince
( 1991) of Riccione and Cyborg (1993 ) of Attigliano (Tr) (the latter will be developed on an area of \u200b\u200b4000 m2). Later we shall not see any more major music event which would necessitate the construction of new large locali.C 'is also an affirmation of subgenres, and then the premises connected to them: we are witnessing the birth of the "fashion" that will become synonymous not only House music fine (which will be the soundtrack to the various parades high fashion), but also frequented by local people more wealthy and adult (this is the music of Private). The "commercial" music is the favorite of teenagers and they'll be back to work the nightclubs on Sunday pomeriggio.All 'inside the Techno genre is assists in this case the assertion of various subgenres: Dream, Trance and Progressive. Because there is an exaltation of the figure that at this time the DJ starts to become a real star and at the same time there are countless experiments with new sounds, the local who specialize in these various sub-genres tend to be themed style hi-tech and "alien", as if to imply that this kind of music comes from a that belongs to another world or otherwise. These clubs are frequented mainly by young people (mainly 17-22 years) of all social classes and that will not cure much clothing as signed to fashion and accessori.Questo is the decade in which the clubs are at their peak, light is intense competition and activity in full swing. Many places in the furnishings will be renewed and will tend to give precedence to the curves colori.È and the visual impact of a decade that ultimately does not show any kind of crisis in the sector and in which invested a lot: the renovation of old buildings, extensions with the addition of more 
rooms, shops that sell interior gadgets with the logo of the restaurant (which is already introduced in Italy in the seventies by the Bay of Angels), opening branches in other countries (such as the Pacha Ibiza ), and even amusement parks that remain open at night hosting internally dancing (in the case of Italian Aquafan and Mirabilandia ). There is a real business of clubs. Some own brands and become real production (or record label in the jargon): the case of the Ministry of Sound Canterbury (UK) opened in 1991 . This is also due to the combination of a more prosperous period of record production, if the 1978-1979 biennium has been the most productive way to the disco music, the three year period 1993-1995 was undoubtedly another time when the music 
disco reigned unchallenged in the charts. Given the heterogeneity of going to big clubs (which in this period also reach five thousand admissions per night) is 
back to make selection or prior to the inputs on the entrance fee. Many clubs, extends its activity to become a restaurant (which is linked at the beginning of the period of discos). Ultimately culminating in the nineties very good for the clubs: in addition to the already established clubs, there are many rooms of modest size but is not necessarily specialize in different genres such as dance rock, the reggae , the ' heavy metal, the 'electronic , the ska, punk the , the' African . There is also the affirmation of the local partner dance as exotic as the Latin American . Bby Wikipedia. 
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